Back in the spring of 2000, a controlled burn in the Jemez Mountains jumped its control lines and became a raging wildfire. Known at the Cerro Grande fire, it burned over 400 homes in Los Alamos, New Mexico, shut down the National Laboratory there, and threw life into confusion and chaos for thousands of residents.
The news story stuck with me for a long time, haunting my thoughts and leading me to ask a lot of questions. What would it have been like to live through something like that? How would losing one's home affect a family? What about the pets of the people burned out? Was everyone helpful, or did predators also descend on the victims of this fire?
Finally, my thoughts propelled me to write. I began writing Summer of the Bombers in 2014, during November's National Novel Writing challenge. I got a third of the way through, then set it aside. I didn't pick it up again for eight years.
Finally, my thoughts propelled me to write. I began writing Summer of the Bombers in 2014, during November's National Novel Writing challenge. I got a third of the way through, then set it aside. I didn't pick it up again for eight years.
I usually create a mock-up cover early in the writing process. It helps me think about what I have to say and where the story is going. When I pulled out the manuscript began working on it again last year, I created a cover that had some of the elements of the story in it. Fire. Forest. One of the bombers that dropped fire retardant on the flames, and whose drone became the background music for the entire time that the fire raged. I also included a picture of someone on horseback because that horse and his rider are central to the story.
Does anyone recognize the horse and rider? I took that image from another of my novels!
Does anyone recognize the horse and rider? I took that image from another of my novels!
But while creating a cover to help guide my writing is helpful, what I create isn't professional enough for the published novel itself. A published novel needs a cover that reflects the story and lets the reader know what genre the book is in. Horror covers look very different from Romance covers, and a cover for a middle grade novel must be different from a novel written for adults. Many of my latest covers have been created by a Ukrainian company called Get Covers. I gave the artist a brief synopsis of the story, similar to this copy, which I plan to put on the back cover:
When the Forest Service announces a controlled burn to clear dead wood from the National Forest, no one in Alamitos, New Mexico is worried. But the fire goes out of control, burning a path of destruction that threatens everything that fourteen-year-old Margaret “Punkin” Davis holds dear. Her home destroyed, her horse stolen and her family broken apart, she must find the inner strength to rebuild her life one piece at a time or lose everything.
Based on events during the devastating Cerro Grande Fire in May, 2000, one of many wild fires that have raged throughout the Western United States, this is a novel about resilience and self determination.
I also told the artist that Punkin was a redhead and Wildfire, her horse, was a Palomino. The novel is a YA, short for young adult novel, which means that anyone from the sixth or seventh grade on up would be able to read it. Based on that, this is what the artist came up with:
I showed this cover to my critique group, and they were less than enthusiastic. While the girl is a redhead, the look on her face made them feel that this was a horror novel, and the background was just too grim for them. They wondered if people looking at it might think she'd caused the fire. Was she a firebomber? An arsonist?
I went back to the drawing board, looking for a picture of a girl who had more emotion and more of an attachment to her horse. Also, I wanted a bomber in the picture since it was in the title. Maybe that would keep people from thinking that the girl was a firebomber who set forests ablaze! This is what the second attempt at a cover looked like:
This was closer, but not quite right, either. My critique group thought it looked like the girl's hair was on fire! They also thought the bomber looked pretty toy-like: definitely not the type of plane we'd seen leaving Kirtland Airforce Base with a belly full of slurry. Also, this girl is way fancier than my Punkin. She'd never wear a top like that one! And the horse was not the Palomino I'd written about. I went back to the artist again.
They say the third time's a charm. The artist was able to find a better plane, and make the slurry the orangy-red color that most of us had seen on news clips. She was also able to change Punkin's shirt into something a little more suitable for the character. But she wasn't able to change the horse, or get rid of the model's fingernail polish.
So the mountain came to Mohammed. I contacted my rancher friend (whose help with the horsey and cow scenes in my books has been invaluable!) who could tell me that the horse in the picture was a bay. I changed the story to make my horse a bay, and I added a scene where another character talked Punkin into trying nail polish. It's funny, the things we have to do as writers!
Here is the final cover (minus the back copy.) What do you think?
They say the third time's a charm. The artist was able to find a better plane, and make the slurry the orangy-red color that most of us had seen on news clips. She was also able to change Punkin's shirt into something a little more suitable for the character. But she wasn't able to change the horse, or get rid of the model's fingernail polish.
So the mountain came to Mohammed. I contacted my rancher friend (whose help with the horsey and cow scenes in my books has been invaluable!) who could tell me that the horse in the picture was a bay. I changed the story to make my horse a bay, and I added a scene where another character talked Punkin into trying nail polish. It's funny, the things we have to do as writers!
Here is the final cover (minus the back copy.) What do you think?
